Plato

"Taking the form of a dialogue between Socrates, Gorgias, Polus and Callicles, the Gorgias debates crucial questions about the nature of government. While the aspiring politician Callicles propounds the view that might is right, and the rhetorician Gorgias argues that oratory and the power to persuade represent 'the greatest good', Socrates insists on the duty of politicians to consider the welfare of their citizens--a duty he believed had been dishonoured...

Plato's "Meno" is a Socratic dialogue between the two main speakers, Socrates and Meno, and explores the definition of virtue and whether it is something that can be taught. Meno is an attractive and well-to-do young man visiting Athens and is a student of the sophist Gorgias, who has greatly influenced Meno's ideas on virtue and knowledge. The dialogue begins abruptly with a question posed by Meno, who asks Socrates whether virtue can be taught....

The last of Plato's dialogues, distinguished from his earlier works by its more practical treatment of political problems. Though criticized in some detail by Aristotle in the "Politics", it undoubtedly exercised a profound influence upon his thought, and through him upon subsequent political theory.

A classic work of ancient Greek literature from Plato, one of the most famous of all ancient Greek philosophers, the "Phaedo" is the moving story of the last moments of Socrates life as recounted by Phaedo, a student of Socrates and a first-hand witness to his final hours. "Phaedo" is the fourth and last dialogue by Plato of Socrates final days, following "Euthyphro", "Apology", and "Crito". In "Phaedo" we see the famous philosopher in his last hours...

Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities...

An award-winning public reader of Homer discusses poetry and the nature of performance with the probing and insightful Socrates in Plato's immortal dialogue. Ion, a professional rhapsode, performer of dramatic recitations of Homer and lecturer on poetry, has a revealing discussion with Socrates. Acclaimed for the power of his performances, Ion becomes so involved in performing that he feels the emotions described in his story and expects them to...

The "Sophist" is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. Its main theme is to identify what a sophist is and how a sophist differs from a philosopher and statesman. Because each seems distinguished by a particular form of knowledge, the dialogue continues some of the lines of inquiry pursued in the epistemological dialogue, Theaetetus, which is said to have taken place the day before. Because the Sophist...

In the Meno, Anytus had parted from Socrates with the significant words: 'That in any city, and particularly in the city of Athens, it is easier to do men harm than to do them good;' and Socrates was anticipating another opportunity of talking with him. In the Euthyphro, Socrates is awaiting his trial for impiety. But before the trial begins, Plato would like to put the world on their trial, and convince them of ignorance in that very matter touching...

In the revised form in which George Grube's distinguished translations appear here, they present Plato's wonderfully vivid and moving - as well as challenging - portrayal of Socrates, and of the philosophic life, in clear, contemporary, down to earth English that nonetheless preserves and accurately conveys the nuances of Plato's and Socrates' philosophical ideas - from back cover.

'Critias,' one of Plato's late dialogues, contains the story of the mighty island kingdom Atlantis and its attempt to conquer Athens. 'Critias' is the second of a projected trilogy of dialogues, preceded by 'Timaeus' and followed by 'Hermocrates,' though the latter was, possibly never written and 'Critias' was left incomplete.